The purpose of this thesis is both to point out problems of ‘culture partiality’ in global and domestic markets for translated books and search for a desirable translation method and a new translation criticism to improve the problems. Therefore, ...

The purpose of this thesis is both to point out problems of ‘culture partiality’ in global and domestic markets for translated books and search for a desirable translation method and a new translation criticism to improve the problems. Therefore, this thesis shows that political and ideological powers of cultural hegemony intervene in the process of translation, looking at history of translation on the basis of ‘culture partiality’ concept and, even if there is no translation completely free of cultural hegemony, it emphasizes the necessity for rectifying excessive partiality toward them in the translation process.
And then, this thesis redefines traditional concepts of ‘faithfulness’ and ‘readability focusing on power relationships between hegemonic culture and non-hegemonic culture, and suggests that readability also, which has been understood as the target culture/receiver centered notion, can be used as a criteria for showing the culture partiality to hegemonic culture with the notion of ‘faithfulness’ to an original text. And this thesis checks the possibilities of a translation method and criticism which both retains characteristics of a target language and faithfully conveys delicate beauties of an original text if using various criteria such as the theme of an original text beyond the two concepts and shows the validity of applying them through a practical translation criticism about Ernest Hemingway’s short novel, “A Clean, Well-lighted Place.”

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