| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 《我们》是俄国有名作家扎米亚京完成于1920年的长篇小说。因为作家的创作主意严重冒犯了其时社会的主流文学不雅，小说自完成之日起即遭封杀，直到1988年才与苏联读者会晤，俄语论文网站，尔后著作备受宽大读者和评论界的喜爱。扎米亚京以为俄国文坛被托尔斯泰为首的实际主义文学和勃洛克为代表的意味主义文学的伟大造诣所占据，到了没法超出的水平。是以，俄语论文范文，他主意文学创作应该离开托尔斯泰等作家所走的实际主义途径，但又强调要解脱勃洛克等作家走到了极致的意味主义途径而回归实际。他以为20年月今后的俄国文坛应该由综合的新实际主义来替换意味主义，并将这类新实际主义归纳综合为继续实际主义特点包容意味主义特点，是理想与实际的综合。集讥讽、荒谬、理想于一体的长篇小说《我们》恰是扎米亚京新实际主义主意的经典之作。极真个反感性艺术特点是扎米亚京长篇小说《我们》的最凸起特点。作家为了批评而赞扬的非感性阐述在小说傍边施展到了极致，日志体的运用和熵与反熵的构成在小说傍边又将作家这类非感性艺术特点完善地展示出来。本文从小说《我们》文本动身，摸索扎米亚京的新实际主义特点在小说中的出现措施，进而对作家在小说傍边冲破传统艺术手段和技能的文学理论停止归结总结。 Abstract: "We" is Russia famous writer Zamyatin completed in 1920 of the novel. Because the writer's creation idea seriously offended the meantime social mainstream literature, fiction since the completion date is blocked, until 1988 to meet with Soviet readers later works very much wide readers' and critics' favorite. Zamyatin that Russian literature is headed by Tolstoy realism literature and Blok represents the meaning of literature of great attainments occupied, to can't exceed the level. Is, the idea of his literary creation should leave Tolstoy and other writers take practical approach, but emphasizes that to free Blok writers go to the extreme of that approach and return to reality. He thought 20 years in the future of Russian literature should by the synthesis of new realism to replace symbolism, and this kind of new realism induction integrated realism characteristics for continuing the inclusion principle means, is the ideal and the reality. Set satire, absurdity, ideal in one of the novels of "we" is precisely Zamyatin new realistic idea of classic. It is the most prominent artistic features of anti perceptual characteristics of the novel "us" zamyatin. Explains the writer to criticism and praise of the irrational in the novel Bangbian display to the extreme, the log and the application of entropy and anti entropic constitute sideways in the novels and writers the perceptual art features to improve the show. This article from novel we text start, Zamyatin to explore new realism characteristics in the novel method, and of writer sideways in the novel break through traditional means and skills of art of literary theory are summarized. 目录: 摘要 4-5 Abstract 5 引言 7-10 一、时代、扎米亚京和《我们》 10-15 （一） 扎米亚京及所处时代背景 10-12 （二） 扎米亚京和《我们》 12-15 二、《我们》的新现实主义特征概括 15-18 （一） 现实主义和象征主义的相交 16-17 （二） 表现主义的风格特征 17-18 三、新现实主义特征在文本中的呈现 18-34 （一） 因为批判，所以赞美--极端反理性艺术特征 18-29 1. 日记体的应用 19-22 2. 由“我”到符号的实现 22-25 3. 熵和“我是谁” 25-29 （二） 科学家的文学实验--抽象与综合 29-34 1. 玻璃世界的完美结构 29-31 2. 革命和熵，火与冰的较量 31-34 四、结语 34-36 参考文献 36-39 后记 39 |
